Frederic Wake-Walker directs and produces opera and contemporary music theatre at major international opera houses and concert halls while also creating new, ground-breaking work with the independent scene in unconventional spaces.…
Bridget is Executive Director of Mahogany Opera, responsible for the charity’s strategic direction and overall wellbeing.…
Jo has worked in fundraising for most of her career…
Marc Dunleavy is a Producer and Project Manager of live music, theatre and immersive art.…
Anne is a freelance producer who works in community and arts engagement.…
The Board of Trustees have overall responsibility for the governance of Mahogany and come from a range of professional backgrounds.
Katie Bradford was introduced to classical music at her state schools, where she discovered her lifelong love of choral singing and learnt to play the recorder and the double bass.…
Amy Challen developed a love of classical music at an early age, learning violin and piano. She didn’t get much opportunity to see opera whilst growing up, but has made up for it since.…
Ian is a solicitor with an international law firm in London. His love of opera was sparked by a chance encounter in 1995 with friends queuing outside the Royal Opera House for a “proms” production of The Marriage of Figaro.…
Mary Miller began her career as a concert violinist. before becoming Music Editor for Scotland´s national newspaper, a prominent broadcaster and festival programmer.…
Florence Okoye is a Qualitative researcher, User Experience and Service designer who has worked across multiple sectors designing inclusive digital experiences.…
Dwight Pile-Gray is a professional conductor, horn player, academic and is currently Musical Director of two orchestras.…
With diverse professional experience in the arts, charity and education sectors, Ava is passionate about making opera accessible for all and champions operatic innovation through radical adaptation and new works.…
Helen Thomas is a promoter, performer, lecturer and writer specialising in new music.…
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