LinkedIn Twitter YouTube Facebook Search

Hildegard: Visions

Voices, video, electronic soundscapes, sculptural light installations and ritual dances converge in this immersive opera imagining the life of Hildegard von Bingen through the prism of the composer’s own experience of the neurological disorder ‘visual snow’. 

Lead artist - Nwando Ebizie 

What connects a 12th century female polymath from Germany with ecstatic ritual and research into neurodiversity?

Born in 1098, Hildegard von Bingen experienced visions throughout her life as a composer, scholar and Benedictine abbess. She left vivid descriptions of these encounters, often describing how they engaged her sense of touch, smell and hearing as well as sight.

Like Hildegard’s cosmic visions, the neurological disorder ‘visual snow’ presents those who experience them with new realities. After realising she had long been experiencing the disorder herself, Nwando Ebizie began to explore creating art through visual disturbances.

Using voices, video, electronic soundscapes, sculptural light installations and ideas of ritual from across cultures and times, Hildegard: Visions invites its audience to reflect on these connections and discover its own, singular realities in this powerful multi-sensory experience.

Workshop artists 
Cevanne Horrocks-Hopayian
Lore Lixenberg 
Tom Richards
Yfat Soul Zisso
Jennifer MT White

Hildegard: Visions was developed in its early stages during a Residency at Snape Maltings. The Residency programme supports artists and researchers who are in need of development time, are creatively curious, and have exciting, adventurous ideas to explore. 

About the artists' work
Lady Vendredi is an artist who will always keep fans and critics wondering what her next move will be, but like previous icons such as Grace Jones or even a Madonna, this is a part of the brilliance that comes with any perceived weirdness.’ - Colorising

‘Suspended somewhere between reclaimed pop exotica and Afrofuturism, it’s perhaps with Ebizie, in the intimacy of a confined theatre, that the elusive claim to a new sort of live music-theatre hybrid gains ground.’ - THE WIRE

‘Increasingly unhinged in the best possible way… you will need to leave your inhibitions in the cloakroom.’ ★★★★★ Time Out

Image credit Anya Arnold
 

Contact

Join us

    You can change your mind at any time by clicking the unsubscribe link in the footer of any email you receive from us, or by contacting us at enquiries@mahoganyopera.co.uk. We will treat your information with respect. For more information about our privacy practices please visit our website. By clicking below, you agree that we may process your information in accordance with these terms.